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Madagascar / Carpathian SJ Complete
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Author:  Brock Poling [ Tue Jan 10, 2006 4:08 pm ]
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Here is the latest. It is a SJ sized guitar w/ Carpathian Top (from Steve @ Colonial); Madagascar Rosewood Back & Sides (LMI Special grade), MadRose Fingerboard, bridge and headstock; Brazilian Rosewood rosette and binding on the body, fingerboard and headstock; Fossilized Walrus Ivory Saddle and Nut; Waverly tuners with snakewood buttons.

I am trying to decide whether or not to put a Greven mini sized Tortis pickguard on it. It matches the orange burst on the top perfectly. It is a real toss up.

Sorry about the fuzzy pics. I am going to have this guitar professionally photographed by a friend / client.










Author:  Terry Stowell [ Tue Jan 10, 2006 4:13 pm ]
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Very handsome Brock. Can I play it? Where's it going? BTW where's the madonna gtr too?

I love that madrose buddy!


Author:  Brock Poling [ Tue Jan 10, 2006 4:20 pm ]
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Thanks.

This was originally going to be my "sales piece" but now I have a couple of folks interested in it... So it is hard to say where this might end up.

The Madonna guitar is about done. I should have pics of that ready in about a week or so. I just need to glue the bridge on and that one is done too.   

Author:  Serge Poirier [ Tue Jan 10, 2006 4:28 pm ]
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whew Brock, breathtaking!!!!!!

Serge

Author:  Andy Zimmerman [ Tue Jan 10, 2006 5:09 pm ]
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Simply breath taking
What is the finish???

Andy

Author:  Shane Neifer [ Tue Jan 10, 2006 5:30 pm ]
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AWESOME!! Brock. Now that is one that you should be very proud to 'set free'. Somebodies going to lucky (and Happy!) Oh ya, leave her naked!

Shane

Author:  EBarajas [ Tue Jan 10, 2006 5:38 pm ]
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Deja vu, Didn't I just se this guitar on the mimf? Great work Brock, it's a real beauty!

Author:  KiwiCraig [ Tue Jan 10, 2006 6:26 pm ]
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Really really really nice Brock!

I reckon a clear scratchplate for sure. A tortis may detract.

It's a super nice and elegant guitar

Regards KiwiCraig

Author:  RussellR [ Tue Jan 10, 2006 7:35 pm ]
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Very Nice Brock

I would vote for a clear guard too, it is too pretty to cover up.

Whats been used to Colour the Top ?

How does she sound ?

Author:  WalterK [ Tue Jan 10, 2006 8:48 pm ]
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Hi Brock,
This is one of the nicest guitars I've seen on OLF...no foolin!!
Looks as though you had your heart in this one for sure...And your pocket book too! Good job Buddy!!
Beautiful.

Thanks Walter WalterK38728.2011111111

Author:  BlueSpirit [ Tue Jan 10, 2006 9:06 pm ]
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Very nice Brock. Say, how does that Rosewood sound?

Author:  Dave Rector [ Tue Jan 10, 2006 9:48 pm ]
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Wow! Brock, you surely do some clean work. What type of finish did you use? Did you finish it or have Tony do it? You obviously learned more from Frank than I did.

Congrats, that is one purty guitar!

Author:  BruceH [ Tue Jan 10, 2006 10:21 pm ]
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Nice work, Brock. I too vote against the mini tortis.

Author:  John Kinnaird [ Tue Jan 10, 2006 10:59 pm ]
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VERY nice guitar Brock. Great work, great style on the headstock, very tasteful appointments.

Author:  Josh H [ Tue Jan 10, 2006 11:17 pm ]
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Great looking guitar!

Josh

Author:  Pwoolson [ Tue Jan 10, 2006 11:21 pm ]
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That's some amazing work, my friend. It's obvious that you had your mind set on the details, it really shows. Build more!!! Thanks for posting.

Author:  Brock Poling [ Tue Jan 10, 2006 11:27 pm ]
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Thanks guys. Tony did the finish so it is cat urathane. He and I discussed the top coloring and I sent him a couple of pics of what I was thinking about and he took care of the rest. Tony ROCKS!!


Author:  LanceK [ Tue Jan 10, 2006 11:55 pm ]
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WOW! Brock that is beautiful! I really like your bridge design.

Skip the pickguard, go clear.

Author:  Alain Desforges [ Tue Jan 10, 2006 11:59 pm ]
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   Gorgeous. Absolutely mint! Madrose sure looks awesome. It's perfect like it is. I wouldn't add a pick-guard, clear or otherwise...

Author:  Tom Dowey [ Wed Jan 11, 2006 12:03 am ]
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Nice job. It has that handmade factory look. And I mean that in a good way.

Author:  Laurent Brondel [ Wed Jan 11, 2006 1:07 am ]
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Beautiful guitar Brock, I like the proportions a lot, body/peghead, rosette,
lower bridge location. I'm sure it sounds fantastic. A Tortis guard would look
good, if it's to be played by someone using a pick.
Who's Tony, does he just do the spraying or the buffing as well and how
much does he charge for a finish like this? Can you tell more about cat
urethane? Catalysed urethane? Is it a WB finish? It looks gorgeous on the
pics. Sorry about all the questions… I can have more! Ah yes, was the guitar
finished prior assembly, or after? Bolt-on or glued neck?

Author:  Skip Beach [ Wed Jan 11, 2006 1:17 am ]
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That's one very cool looking guitar, Brock! The subtle top burst is a gorgeous touch, is that an original idea? I've never seen one like that on a guitar. It looks like the edge-darkening glazing done on fine furniture although that's usually done on darker woods.

Is your "SJ-sized" indicative of the forum SJ plans? All this "SJ, Southern Jumbo, Super Jumbo, Small Jumbo" business is so very jumbled up & inprecise. Maybe we should call the small jumbo SJ a BJ - for "baby jumbo" At least name that would describe the basic shape & size.

Lovely and tasteful details too. Love that Madagascan Rosewood ... gotta get me some - after I rob a bank!

SkipSkip Beach38728.3874884259

Author:  Arnt Rian [ Wed Jan 11, 2006 1:23 am ]
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Gorgeous

Author:  Brock Poling [ Wed Jan 11, 2006 1:25 am ]
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Thanks. The "SJ" -- or small jumbo in this case is based off a set of plans I got from Frank Finocchio -- a style he calls Prima.

The guitar was finished by Tony Ferguson in Michigan. Lance turned me on to him and he is just fantastic. We discussed the ideas and he took care of the rest. I just finish sanded it out and cleaned it up with steel wool and he did the entire finish soup to nuts. Tony is the best. He uses a Catalyzed Urethane finish it has a deep rich gloss and I don't think it seems to have any more damping qualities than Nitro... (at least I can't hear it if it does.)

Admittedly I am a freak about the order of construction. I USUALLY have my gutiars with the necks bolted on, fingerboards glued down ... and in this case, pre fretted. I do this so I can get the fb absolutely dead flat while the guitar is in the white. I am SUCH a klutz and I have a huge paranoia about working on brand new guitars with the finish on.

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